When lockdowns prevented Ryan Choy from travelling in 2020, he began taking photos of his uber-stylish briefcases in a housing board car park.
“At the start, we assumed that because we were trying to market globally, we’d have to use a Caucasian model and do shoots overseas,” says the CEO of leather products maker Faire Collective, which got its start in 2018 as the nation’s highest-backed Kickstarter project.
“So we created this idea that ‘oh, maybe it’s not a Singapore brand’,” Choy continues. “But in the last year, we have stopped trying to hide this”
The chief executive is surprised, but pleased, to learn that marketing and product photos featuring heartland locations, such as Joo Chiat and Kallang, are driving international sales. In addition to the republic, Faire Collective’s largest markets are the US, Australia, and the Middle East, with buyers ranging from businessmen, bankers, and lawyers to photographers and Silicon Valley start-up types.

“We do get customers asking: ‘Where was this shot?’” he says. “Singapore’s landscape is very different; a mix of greenery, HDBs, and modern architecture. It’s something fresh.”
How do customers respond when they discover the brand comes from the Little Red Dot? “People think of Singapore as efficient, so they know we’ll deliver on time and respond quickly to customers,” Choy says. “It works to our advantage.”
It’s a similar story over at Simone Jewels and skincare brand Porcelain. Both cite the nation’s reputation for quality and reliability as a major boon to business.
These attributes don’t seem particularly sexy, but they could make or break demand. Simone Jewels founder Simone Ng can attest to that, since she oversees her four overseas locations in Paris, St Tropez, New York and Los Angeles.
The fine jewellery designer, whose rings and earrings are worn by the likes of Taylor Swift, Emily Blunt and Kate Hudson, struggled with brand perception following her international expansion several years ago, when customers and partners thought Singapore was part of another Asian country.
According to her, awareness has improved, particularly following events such as the Trump-Kim Summit and the release of Crazy Rich Asians and Bling Empire. She says, “While some people may feel that some countries could be producing poorer quality products, Singapore gives them the quality assurance they expect of a modern, forward-looking country.”
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“Consumers see ‘Made in Singapore’ as trustworthy and premium, which is important,” adds Porcelain founder and managing director Pauline Ng, whose cult products retail in the US, UK, China, and South-east Asia.
The skincare brand was founded in 2009 by her mother Jenny Teng, an aesthetician of 20 years. Porcelain also has a handful of luxury spas said to be among Asia’s best.
As Porcelain, Simone Jewels, Faire Collective’s sister brand Tocco Toscano and seven more peers display their wares at New York retail concept Showfields until March 2023, Singapore’s reputation is being put to the test. Known as The Little Red Dot: Singapore Showcase, it is part of the government’s effort to promote local brands internationally.
“For the brands, this effort is a major step towards entering the US market,” says Enterprise Singapore deputy CEO (Industry Clusters) Dilys Boey. “They are learning about the American consumers, and how to navigate doing business in the US.”
While South-east Asia is a starting point for the republic’s emerging retail stars, their ultimate goal is usually to break into China, Europe, and the US.
The Singapore retail brand is still nascent, but Tay Kae Fong, founder of Binomial Consulting, says products here are becoming associated with innovation and entrepreneurship. In his view, this refers to “pragmatic innovation”, where brands are willing to experiment with new ideas but shun cutting-edge projects that do not guarantee immediate profit.
“The core of Brand Singapore remains positive: safety, efficiency, globally-connected, and economically-oriented. The downside? We can be seen as a boring, rule-abiding place,” Tay says. “From a branding perspective, businesses need to decide whether including provenance as part of their brand is a boon, bane, or neutral.”
Singapore’s lifestyle brand founders, says Boey of Enterprise Singapore, are passionate about their craft, resulting in products that appeal to global buyers. “Consumers today appreciate authenticity and seek brands and products with unique stories, often of heritage and culture,” she says. “Our brands tell stories of our heritage, or stories of the quest for more sustainable living.”
Porcelain, for example, boasts a distinctly Asian brand philosophy of treating skin problems at their root. However, as Singapore is a melting pot of cultures, what goes into every bottle of product comes from all over the world, says Ng.
The republic’s status as a tech-centric global business hub led to Faire Collective’s multi-pocket briefcases. “Since people come here to work from all over the world, we want to ensure there are compartments and considerations for different-sized tech and gadgets,” says Choy.
Ng of Simone Jewels says she built a brand that would work in several markets from the beginning.
The tricky part about going global is creating something that will appeal to not just to the residents of Siglap, Serangoon and Sentosa Cove, but also to those in Seoul, Stockholm, and San Francisco. Due to this, the itinerary for brands in the Showfields’ pop-up include meetings with potential business partners and workshops on tailoring marketing efforts for new audiences.
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It is a testament to the demand for such assistance that the number of market expansion projects local retail brands have embarked on has doubled compared to 2019, says Boey. Her agency has supported multiple pop-ups, similar to that in Showfields, in Paris, Shanghai and Manila.
Binomial’s Tay says if Singapore retail brands are to survive, they must venture overseas. “They need to think about going global from day one if they have aspirations for long-term growth,” he says. “The key is to have enough flexibility for the brand to stand for something, which can include elements of Brand Singapore, and yet flex to adapt to local market preferences.”
This advice is being taken to heart by Singapore’s emerging stars. Simone Jewels, for example, is focusing on promoting a series of daily-wear pieces in Western markets, where customers prefer wearable jewellery over the statement creations loved by Asian buyers. Such showstoppers include a reversible necklace, featuring rubies on one side and sapphires on the other, auctioned by Sotheby’s to an undisclosed buyer for over twice the reserve price in 2013.
Consumers see ‘Made in Singapore’ as trustworthy and premium, which is important.
Following a rebranding amid Covid, Porcelain has launched a line of travel-size product kits this year. For years, Pauline Ng has been asked to take the brand overseas, including Vietnam, China, and Malaysia.
Meanwhile, Faire Collective is aiming to capture womens’ hearts with gender-neutral products, as well as carry on its local photo shoots.
“The reason why we went on Kickstarter in the first place was because we felt back then that if you were a local brand, it was less convincing,” says Choy. “Today, it’s nice to know that even if we take a picture of someone carrying one of the briefcases, and the backdrop is a HDB flat, it could work to our advantage.”
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